Advertisement
Advertisement
Performing arts in Hong Kong
Get more with myNEWS
A personalised news feed of stories that matter to you
Learn more
Taiwanese dance company Dance Works performs “I’ll Close My Eyes”, by Japanese choreographer Yuji Uragami, at the 10th Hong Kong Tap Festival, a celebration of tap dancing. Photo: Dicky Wong

Review | The 10th Hong Kong Tap Festival an energetic celebration of dance featuring talent from city and East Asia

  • The 10th Hong Kong Tap Festival was also a celebration of 15 years of R&T, its presenter and Hong Kong’s only professional tap dance company
  • Dancers from Japan, Korea, Taiwan and Shanghai joined Hong Kong counterparts in showing off their skills, with a finale choreographed by a local tap legend

The 10th edition of the Hong Kong Tap Festival was also the 15th anniversary of its presenter, R&T (Rhythm & Tempo), Hong Kong’s only full-time professional tap dance company.

The festival’s gala performance was a celebration of the passion and dedication R&T have put into pioneering and popularising tap dance in Hong Kong.

It brought together Hong Kong talent along with guest artists from Japan, South Korea, Taiwan and Shanghai, in a showcase of technical skill and energy.

The programme included a series of group, pair and individual numbers, some accompanied by recorded music, others by live music from a four-piece jazz band.

“Softly as in a Morning Sunrise”, performed by Japanese dancer Pori with accompaniment from pianist Bowen Li, at the 10th Hong Kong Tap Festival, which took place on September 9 and 10, 2023. Photo: Dicky Wong

Solos from two Japanese dancers stood out: long-time R&T supporter Yuta Hori, who goes by the stage name Pori, appeared in Softly as in a Morning Sunrise, full of witty interaction with pianist and band leader Bowen Li (himself a virtuoso performer); and Ikki Yonezawa, who showed breathtaking rhythm and control in There Will Never Be Another You.

There were also strong contributions from South Korea – Arirang featured Kwon Oh-hwan and Kim Soon-young competing with each other in spectacular fashion.

 

Kim later displayed his singing skills in the elegantly laid-back Feel Like Making Love, while Park Ji-hye’s Well You Needn’t showed that women can more than hold their own when it comes to tap virtuosity.

Another highlight was the hilarious 4 Men at the Airport. Choreographed by Pori and performed by him along with Kwon, Reco Cheng from Taiwan and R&T’s Ken Kwok, this crossover collaboration showed that both humour and the misery of waiting for a delayed flight are universal.

From Hong Kong came Just the Two of Us, a charming romantic duet from Eve Leung and Marix Ho that showed a softer side of tap, while Wong Tan-ki (best known for his contemporary dance work) executed brilliantly a difficult routine that rather overwhelmed the Mandopop ballad “Moonlight in the City” to which it was set.
“Just The Two Of Us”, performed by Hong Kong dancers Marix Ho and Eve Leung at the 10th Hong Kong Tap Festival. Photo: Dicky Wong

The atmosphere was electric, with a packed house cheering every number – a rare pleasure in a city where audiences are often too muted in expressing their appreciation.

A lively finale brought all the dancers together on stage with guest choreographers Yukiko “Smilie” Misumi, from Japan, and Hong Kong’s Mandy Petty.

The city’s leading tap teacher for more than 40 years and an inspiration to generations of local dancers, Petty received a huge response from the audience and showed she can still shuffle a soft shoe with the best of them.

Mandy Petty (middle) dances during the grand finale of the 10th Hong Kong Tap Festival. Photo: Dicky Wong

“R&T: The 10th Hong Kong Tap Festival Gala”, Studio Theatre, Hong Kong Cultural Centre. Reviewed: Sept. 9

Post